Waterproofing is invisible once it’s built — every membrane, screed and insulation layer disappears under the finished surface. Pidilite needed a way to make that hidden system visible, credible, and easy to specify. We built it in 3D.
Dr. Fixit’s waterproofing systems for podiums, roofs and walls work by disappearing —
sealed beneath screed, insulation and finished surfaces. That’s exactly what made
them hard to sell and hard to teach.
Contractors, architects and site engineers had to trust a system they could never fully see applied correctly — the failure point (a skipped primer coat, a wrong sequence) only shows up months later, as a leak. Photographs of a construction site can’t communicate sequence, layer thickness, or how each material interacts with the one beside it.
Pidilite needed a visual asset that could do what a site visit or a data sheet couldn’t: show the complete cross‑section of a podium and a roof & wall system, layer by layer, in the correct application sequence — usable equally for sales conversations, contractor training, and exhibition screens.
Pidilite Industries is one of India’s leading manufacturers of adhesives, sealants, and construction chemicals. Dr. Fixit, its waterproofing brand, is used across residential, commercial, and industrial projects — where correct application sequence and material understanding directly affect long-term structural performance.
Because the subject was a physical system with a defined build sequence, we treated the production process the same way — layer by layer, reviewed at every stage before moving to the next.
Working from Dr. Fixit's product and application literature, we mapped the real layer sequence for each system — substrate, primer, membrane, protective screed, insulation and finish — so nothing in the film would misrepresent the actual application method.
Each layer was built as a separate 3D asset so the camera could cut away, peel back, or move through the structure at any point — revealing the membrane and insulation exactly where a site photo never could.
Application order was animated in real sequence, not compressed or reordered, so the film could double as a correct-installation reference for applicators — not just a marketing visual.
A clear technical voiceover and clean motion pacing kept the films usable both muted on an exhibition loop and narrated in a sales meeting.
The brief wasn’t just “make it look real” — it was make four technically accurate films look real, on a timeline that left no room for a slow start.
Under a normal schedule, four 3D product films of this technical depth would run well past a month. To hit 20 days, we split the pipeline instead of running it end to end: scripting and technical breakdown for all four systems happened up front, then modeling, texturing and animation moved in parallel across the team rather than one film finishing before the next began.
Concrete, bitumen membrane, PU coatings, insulation board, screed, tile adhesive and paver finishes each behave differently under light — matte, reflective, porous, layered. Getting 30+ of these to look physically correct, not just “shiny 3D,” meant building and lighting each material individually rather than reusing a handful of generic shaders across the project.
Even with the pipeline split across the team, the last stretch before delivery still came down to a straight 24-hour push — render, review, fix, re-render — to get all four films finished and export-ready in time for the exhibition dates.
All four films follow the same cutaway‑diagram approach so Dr. Fixit’s sales and technical teams can present them as a single, consistent visual system across products.
The films were screened at exhibitions, each drawing 50+ visitors to the stall — giving Dr. Fixit’s team a consistent visual system that scales across products, rather than a one-off video.
Four high-definition 3D animated videos, covering Dr. Fixit waterproofing systems including podium decks and roof & wall protection.
All four videos were scripted, modeled, textured and animated within a 20-day production sprint, run in parallel across teams rather than one film at a time.
Over 30 distinct construction materials were modeled and rendered — including waterproofing membranes, primers, screeds, insulation boards, structural concrete and paver finishes — each built to match its real-world texture and light behavior.
Waterproofing systems are buried under screed, insulation and finished surfaces once applied, so there's no way to photograph the finished result. 3D cutaway animation reveals every layer and the correct application sequence, which site photography can't.
The videos were screened at trade exhibitions, each drawing 50+ visitors to the stall, alongside use in sales and technical training.